Mom's the Word

I'm reading The Thirteenth Tale right now. The best gauge I have for books that truly captivate me is that I get annoyed when real life and circumstances impose themselves upon my reading time. I hate having to put these rare books down to eat, sleep and honour appointments and schedule commitments. The Thirteenth Tale is such a book.

I love 'word nerd' authors. It becomes immediately obvious that Diane Setterfield is one. I suspect it's her study of French literature that has honed her sense of the particular in sentence structure. She selects only the most fitting words and phrases to describe her characters and scenes, or so it seems. And then there is the placing and slant synonymic of her word choice. Whereas some authors might stick their pronouns in conventional places, she seems to mix them up and thus, toy with both the semantics and the reader, thereby conveying "a certain ambiguity in the expression." She does this on page 141, with Charlie Angelfield's epitaph, which reads:

CHARLIE ANGELFIELD
HE IS GONE INTO THE DARK NIGHT.
WE SHALL NEVER SEE HIM MORE.

Yes, it's a good book, a very fine book. I am now at the Middles section of the book, which follows, most naturally, after Beginnings, of course. Her chapter on The Friendly Giant was splendid. Like all Canadian children of a certain age and form, I came of age with The Friendly Giant. And so it is that I relate in part and mythic imagination.

Here is a slice from the chapter.

"Tell me..." the stranger began, and I suspected he had needed to pluck up the courage to ask his question. "Do you have a mother?"
I felt a start of surprise. People hardly ever notice me for long enough to ask me personal questions.
"Do you mind? Forgive me for asking, but--How can I put it? Families are a matter of...of...But if you'd rather not--I am sorry."
"It's all right," I said slowly. "I don't mind." And actually I didn't. Perhaps it was the series of shocks I'd had, or else the influence of this queer setting, but it seemed that anything I might say about myself here, to this man, would remain forever in this place, with him, and have no currency anywhere else in the world. Whatever I said to him would have no consequences. So I answered his question. "Yes, I do have a mother."
"A mother! How--Oh, how--" A curiously intense expressed came into his eyes, a sadness or a longing. "What could be pleasanter than to have a mother!" he finally exclaimed. It was clearly an invitation to say more.
"You don't have a mother, then?" I asked.
Aurelius's face twisted momentarily. "Sadly--I have always wanted--Or a father, come to that. Even brothers or sisters. Anyone who actually belonged to me. As a child I used to pretend. I made up an entire family. Generations of it! You'd have laughed!" There was nothing to laugh at in his face as he spoke. "But as to an actual mother...a factual, known mother...Of course everybody has a mother, don't they? I know that. It's a question of knowing who that mother is. And I have always hoped that one day--For it's not out of the question, is it? And so I have never given up hope."
"Ah."
"It's a very sorry thing." He gave a shrug that he wanted to be casual, but wasn't. "I should have liked to have a mother."
"Mr. Love--"
"Aurelius, please."
"Aurelius. You know, with mothers, things aren't always as pleasant as you might suppose."
"Ah?" It seemed to have the force of a great revelation to him. He peered closely at me, "Squabbles?"
"Not exactly."
He frowned. "Misunderstandings?"
I shook my head.
"Worse?" He was stupefied. He sought what the problem might be in the sky, in the woods, and finally, in my eyes.
"Secrets," I told him.

On a lighter maternal note, I found the fatherly sequel to the Mom Song made legendary in Youtubeland....check it out. She's captured dadsense in minutia, I think.

And Happy Mother's Day weekend to all mothers great and small out there. May you bear no secrets.